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Christian Writers' Market Guide 2008: The Essential Reference Tool for the Christian Writer (Christian Writers' Market Guide)

Christian Writers' Market Guide 2008: The Essential Reference Tool for the Christian Writer (Christian Writers' Market Guide) by Sally Stuart from WaterBrook Press

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    Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew

    Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew by Ursula K. Le Guin from The Eighth Mountain Press

      Ursula K. Le Guin's extraordinary writing primer is full of charm, wit, and opinion. Le Guin likens writing to "steering a craft," and as one reads through this volume, one has the sense of floating down a river, with the waves of Le Guin's words lapping at one's craft. Le Guin veers sharply from the mainstream of contemporary writing manuals by challenging their very definition of story. While it is common to "conflate story with conflict," Le Guin writes, she finds that limiting. "Story is change," she says. While that change may be the result of conflict, it is just as likely to evolve from "relating, finding, losing, bearing, discovering, [or] parting." Le Guin demonstrates this complexity with well-hewn excerpts from the works of such writers as Jane Austen, Mark Twain, J.R.R. Tolkien, Charlotte Brontë, and especially Virginia Woolf. The many aspects of fine fiction writing Le Guin addresses here include the role of the narrative sentence (its "chief duty [is] to lead to the next sentence--to keep the story going"); avoiding exposition doldrums ("break up the information, grind it fine, and make it into bricks to build the story with"); and the concept of "crowding and leaping." While prose should be "crowded with sensations, meanings, and implications," don't forget that "what you leave out is infinitely more than what you leave in."

      Accompanying Le Guin's text is a handful of clever writing exercises, each as enticing as its name. Among them are "I am García Márquez," which requires writing with no punctuation; "Chastity," which challenges one to write without adjectives or adverbs; and "A Terrible Thing to Do," which proposes taking an earlier exercise and cutting it--by half. --Jane Steinberg

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      20 Master Plots: And How to Build Them

      20 Master Plots: And How to Build Them by Ronald Tobias from Writers Digest Books

        This book shows the reader how to take timeless storytelling structures and make them immediate, now, for fiction that's universal in how it speaks to the reader's heart and contemporary in detail and impact.

        Each chapter includes brief excerpts and descriptions of fiction from many times, many genres - myth and fairy tale, genre and mainstream fiction, film plots of all types, short story and novel.

        Find 20 fundamental plots that recur through all fiction - with analysis and examples - that outline benefits and warnings, for writers to adapt and elaborate in their own fiction. Ronald B. Tobias has spent his career as a writer moving from genre to genre, first as a short story writer, then as an author of fiction and nonfiction books and finally as a writer and producer of documentaries for public television. He is currently a professor in the Department of Media and Theatre Arts at Montana State University and the author of The Insider's Guide to Writing for Screen and Television. He lives in Bozeman, Montana.

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        On Writing Romance: How to Craft a Novel That Sells

        On Writing Romance: How to Craft a Novel That Sells by Leigh Michaels from Writers Digest Books

          In On Writing Romance, award-winning romance novelist Leigh Michaels talks you through each stage of the writing and publishing process. From the origins and evolution of the romance novel to establishing a vital story framework to writing that last line to seeking out appropriate publishers, everything you ever wanted to know about writing a romance novel is here.

          In addition to a comprehensive breakdown of more than thirty romance subgenres, including such categories as historical, inspirational, Regency, and sweet traditional, you'll discover how to:

          · Steer clear of clichés and stereotypes by studying the genre

          · Craft engaging and realistic heroes and heroines readers will adore

          · Convincingly develop the central couple's blossoming relationship

          · Add conflict by utilizing essential secondary characters like the "other woman"

          · Use tension and timing to make your love scenes sizzle with sensuality

          · Get your characters to happily-ever-after with an ending readers will always remember

          Plus, read a sample query letter, cover letter, and synopsis, and learn how to properly prepare your romance novel for submission to agents and editors. On Writing Romance has everything you need to leave readers swooning!

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          The Everything Guide to Writing a Romance Novel: From writing the perfect love scene to finding the right publisher--All you need to fulfill your dreams (Everything Series)

          The Everything Guide to Writing a Romance Novel: From writing the perfect love scene to finding the right publisher--All you need to fulfill your dreams (Everything Series) by Christie Craig from Adams Media

            Every year, thousands of romance manuscripts are submitted to publishers, but only the best are eventually published. This simple guide—written by two awardwinning romance novelists—will show readers what it takes to break into this highly competitive market and will provide them the information they need to get their manuscript out of the slush pile and onto the bookshelf. Readers will learn how to do the following techniques: build a story from premise to plot; add a fresh twist to a classic storyline; create compelling characters; write sizzling sex scenes that carry an emotional punch; research agents and markets; write a story that an editor can’t reject; and promote themselves and their work. New writers, and even experienced writers, will find the solid howto information here invaluable. This is a musthave for aspiring writers who want to write the perfect love story.

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            The Complete Idiot's Guide to Writing Christian Fiction (Complete Idiot's Guide to)

            The Complete Idiot's Guide to Writing Christian Fiction (Complete Idiot's Guide to) by Ron Benrey from Alpha

              The Christian fiction genre has been around since the late sixties, but the Left Behind series made it explode. This book walks you through the genre—what it is and isn’t, how plot integrates with a Christian message, how to approach edgy subjects, how to navigate Christian and mainstream publishers, and more. Coverage includes discussion of everything from mystery and romance, to historical and young adult.

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              Passionate Ink: A Guide to Writing Erotic Romance

              Passionate Ink: A Guide to Writing Erotic Romance by Angela Knight from Loose Id, LLC

                The forecast is in: the future of romance is hot and steamy. But riding the wave to success takes more than stringing together a couple of sex scenes or opening the bedroom door on your traditional romance. In her brand-new "how-to", USA Today bestselling author Angela Knight shares the down and dirty details on writing erotic romances that will keep your readers coming back for more. Passionate Ink (un)covers the erotic novel from conception to completion. Straight talk, no purple prose. First, Angela will show you her useful writing techniques that have made her a successful author. Then, she'll teach you what's hard (besides that!) about making your erotic romance erotic: action, both in and out of bed, the anatomy of a sex scene, eroticism and 'kink', and good dialogue, or talking dirty without sounding dumb. If you want to enjoy the heat, then strip off your inhibitions and take a dip.into Passionate Ink.

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                Writing Mysteries

                Writing Mysteries from Writers Digest Books

                  The mystery, like other stories, relies on believable characters, a strong narrative, and crisp prose. But it is also "a way of examining the dark side of human nature," says Writing Mysteries editor Sue Grafton. The book's 37 contributors ponder everything from brainstorming ideas to dealing with editors. Jeremiah Healy jump-starts the book with a piece that considers the unwritten "rules" of mystery writing. Stuart Kaminsky discusses research--experts, it turns out, are just waiting for you to contact them--and Sandra Scoppettone discusses vivid villains. Sara Paretsky contemplates the pitfalls of using a recurring hero, and Michael Connelly contributes a fine piece on characterization. "The best crime novels," Connelly says, "are not about how a detective works on a case; they are about how a case works on a detective." Other chapters focus on amateur sleuths, convincing dialogue, depiction of violence, and specialty genres. The book's short chapters form a sort of mystery writer's antipasti plate. Some won't resonate, while others will leave you wishing you had a larger serving. An ideal primer for mystery writers. --Jane Steinberg

                  Writing mystery fiction can be a special kind of puzzle. In this new, revised edition of the Mystery Writers of America classic, Sue Grafton weaves the experience of today's top mystery authors into a comprehensive mystery writing "how-to." Writers will learn how to piece a perfect mystery together and create realistic stories that are taut, immediate and fraught with tension.

                  The book's contributors include a "who's who" of the mystery writing elite: Faye and Jonathan Kellerman on conducting accurate research; Michael Connelly on mastering characterization; Tony Hillerman on writing without an outline; Lawrence Block on overcoming writer's block; Sara Paretsky on creating successful series characters; Tess Gerritson on writing the medical thriller; Ann Rule on the art of writing true crime. And many more!

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                  The Writers Complete Fantasy Reference

                  The Writers Complete Fantasy Reference by Writers Digest from Writers Digest Books

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                    The Criminal Mind

                    The Criminal Mind by Katherine Ramsland from Writers Digest Books

                      This book corrects common media misconceptions about the nature of the criminal psyche in order to help writers create more credible and convincing characters. The Criminal Mind examines the fundamentals of psychology and law, theories of criminality, and character disorders that can lead to criminal behavior. Writers will learn how criminals think and how forensic psychology is used to catch them.

                      Katherine Ramsland also explores the legal process, including psychological evaluations, lie detection, insanity pleas and the treatment of criminals and victims.

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